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Jean Quiambao

モダン怪談 100,000,000円 (松竹グラフ) [Modern Horror 100,000,000 yen (Shochiku Graph)]

Restored Asian Films

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モダン怪談 100,000,000円 (松竹グラフ) [Modern Horror 100,000,000 yen (Shochiku Graph)]

Film Synopsis

A runaway couple lost deep in the mountains happen to find the buried treasure of famous thief Chuji Kunisada. Director Torajiro Saito is a comedy king and it is said that his comedy was at its most radical in his silent era, but only three of his silents remained. This fourth discovery turned out to be his earliest surviving comedy, though a digest version of home use 16mm (about 20% out of original length of 1,399m on 5 reels), and the director’s three sons stepped forward to sponsor this restoration in 2005, to celebrate their father’s centenary.

This was the first installment of “Adopt-A-Film” project by Film Preservation Society, which involves asking for donations for the full cost of restoration of a discovered film and putting the donor’s name at the top of the restored print. Eventually the original film is given back to the owner, and the restored 35mm print is kept in an archival (cool and dry) environment.

Video

Film Details

Alternate Titles: Modern Horror 100,000,000 yen [Shuchiku Graph]

Language: Japanese

Original Production Country: Japan

Original Release Year: 1929

Original Elements Held By: Private ownership (16mm digest version for home use)

Original Distribution Company: Shochiku Kinema

Production Company: Shochiku Kinema, Kamata Studio

Executive Producer:

Producer:

Director: Torajiro Saito

Writer: Tadao Ikeda

Cinematography: Yoshio Taketomi

Editor: 

Sound Editor:

Music/Score: 

Narrator:

Other Credits: Original story by Fumio Omori, Cast: Tatsuo Saito, Junko Matsui

Aspect Ratio: 1.33:1

Colour System: B/W

Duration: 15 mins

Restoration Details

Status: Released

Country Where Restored: Japan

Country Restoration First Screened: Japan

Lab Image Restored By: Ikueisha, Inc.

Lab Audio Restored By: 

Archive Partner(s) in Restoration: 

Restored Elements Held By: National Film Archive of Japan (a dupe neg and a projection print on 35mm)

Restoration Funded By: Minoru Saito, Masayasu Saito, Kosei Saito

Restoration Premiere: National Film Center “Torajiro Saito and Hiromasa Nomura Retrospective at their Centenary”, 4 November 2005

Restoration General Release Date: 

Screening Rights Held By:

BD/DVD Release: DVD with English subtitles is available from Film Preservation Society. 

Genre

Comedy

Awards
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  • 〈映画の里親〉制度 Adopt a Film 2005-2010
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The report on this restoration was submitted by Takeo Nagano in NFC newsletter No.63 (2005 October-November issue) p. 9.

Info Source

AWRA; KIFPS

札幌オリンピック(Sapporo Orinpikku) [Sapporo Olympics]

Restored Asian Films

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札幌オリンピック (Sapporo Orinpikku) [Sapporo Olympics]

Film Synopsis

This well-received Japanese documentary covers the 11th Winter Olympics held in Sapporo Japan in February of 1972. The film is beautifully photographed in a straightforward manner, covering ski-jumping, downhill racing, ice-skating and hockey. The excitement of the hockey match between the Czechoslovakian and Russian teams is conveyed well. (Clarke Fountain)
Read more at https://www.allmovie.com/movie/sapporo-winter-olympics-v155457#v3I5hGIEYIZ8T3LZ.99

Video

Film Details

Alternate Titles: Sapporo Olympics

Language: Japanese

Original Production Country: Japan

Original Release Year: 1972

Original Elements Held By: 

Original Distribution Company: TOHO

Production Company: Sapporo Winter Olympics Organising Committee – Newsreel Producers Association

Executive Producer:

Producer: Taguchi Suketaro

Director: Masahiro Shinoda

Writer: Kyoko Kishid & Nobuo Yamada

Cinematography: 

Editor: 

Sound Editor:

Music/Score: Masaru Satô

Narrator:

Other Credits:

Aspect Ratio: 2.39:1

Colour System: Colour

Colour Process: 

Duration: 168 mins

Restoration Details

Status: Released

Country Where Restored: United States

Restoration Release Date: 5 December 2017

Country Restoration First Screened: 

Lab Image Restored By: Warner Bros MPI, Burbank CA

Lab Audio Restored By: Audio Mechanics, Burbank CA

Archive Partner(s) in Restoration: 

Restored Elements Held By: IOC

Restoration Funded By: IOC

Restoration Premiere: 

Screening Rights Held By: IOC

Genre
Awards
Film Facts
Website
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Educational Materials
Info Source

AWRA

Videos: 千人針 (Senninbari) [One Thousand Stitches / The 1000 Stitch Belt]

RESTORED ASIAN FILMS​

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VIDEOS | 千人針 (Senninbari) [One Thousand Stitches / The 1000 Stitch Belt]

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千人針 (Senninbari) [One Thousand Stitches / The 1000 Stitch Belt]

Restored Asian Films

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千人針 (Senninbari) [One Thousand Stitches / The 1000 Stitch Belt]

Film Synopsis

The title “Senninbari” or “One Thousand Stitches” refers to the metre-long belt composed of a thousand stitches which the hero’s grandmother prepares for him. These strips of cloth were given to soldiers as they left for war, and symbolised luck, protection, and well-wishes from loved ones. The film is a memento of bellicose times, made when Japan, which had already annexed Manchuria, launched a full-scale war with China.

This was the third film produced by Dai Nihon Tennenshoku Eigasha, a production company that pioneered colour cinema in Japan. They used the American two-strip colour process Cinecolor. On the film’s release, the Kinema Junpo reviewer praised the improvement of the process in comparison with the studio’s first film, Tsukigata Hanpeita (Seika Shiba, 1937), but suggested that the work was lacking in dramatic terms.

AFA [https://arc.asianfilmarchive.org/2017/senninbari/]

Video

Film Details

Alternate Titles: One Thousand Stitches / The 1000 Stitch Belt

Language: Japanese

Original Production Country: Japan

Original Release Year: 1937

Original Elements Held By: GFF Moscow (Fragment only)

Original Distribution Company:

Production Company: Dai Nihon Tennenshoku Eigasha

Executive Producer:

Producer:

Director: Genjiro Saegusa

Writer: Genjiro Saegusa

Cinematography: Sukeshige Urushiyama

Editor: 

Sound Editor:

Music/Score: 

Narrator:

Other Credits: Cast: Matsunosuke Fukui, Kuni Sugiura, Hoshiko Tachibana, Fumio Wakamatsu

Aspect Ratio: 1.37:1

Colour System: Colour

Colour Process: Cinecolor

Duration: 19 mins

Restoration Details

Status: Released

Country Where Restored: Japan

Restoration Release Date:

Country Restoration First Screened: Singapore

Lab Image Restored By: Imagica & Imagica West

Lab Audio Restored By: 

Archive Partner(s) in Restoration: GFF Moscow & NFAJ (NFC) Tokyo

Restored Elements Held By: 

Restoration Funded By: 

Restoration Premiere: 

Screening Rights Held By: 

Genre
Awards
Film Facts
Website
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Educational Materials
Info Source
IMAGICA; Asian Film Archive; The National Museum of Modern Art, Tokyo; AWRA

Videos: 青梅竹馬 (Taipei Story)

RESTORED ASIAN FILMS​

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青梅竹馬 (Taipei Story)

Restored Asian Films

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青梅竹馬 (Taipei Story)

Film Synopsis

In booming Taipei, the seemingly bright future of a pair of childhood lovers is steadily weighed down by the past. Former baseball player Lung and yuppie career woman Chin face familial obligations, furtive lovers, and a growing sense of modern malaise to chase their elusive dreams of marriage and migration. The couple portray an affecting portrait of a generation and of a city caught in the throes of change.
AFA [https://arc.asianfilmarchive.org/2017/taipei-story/]

Taipei Story is a 1985 Taiwanese film directed, scored, and co-written by filmmaker Edward Yang — his second full-length feature film and third overall. The film stars Yang’s fellow filmmaker Hou Hsiao-hsien, and singer Tsai Chin, whom Yang subsequently married. It is one of the earliest films of the New Taiwanese Cinema.
In the United States, Janus Films gave a limited release of the film’s 4K restoration, done by the World Cinema Project, on March 17, 2017.
[https://en.wikipedia.org/wiki/Taipei_Story]

Video

Film Details

Alternate Titles: 

Language: Mandarin, Hokkien

Original Production Country: Taiwan

Original Release Year: 1985

Original Elements Held By: 

Original Distribution Company:

Production Company: 

Executive Producer:

Producer: Huang Yung, Lin Jung-feng Liu & Sheng-chung

Director: Edward Yang

Writer: Chu T’ien-wen, Hou Hsiao-hsien & Edward Yang

Cinematography: 

Editor: 

Sound Editor:

Music/Score: Edward Yang

Narrator:

Other Credits: Cast: Hou Hsiao-hsien & Tsai Chin

Aspect Ratio:

Colour System: Colour

Colour Process: 

Duration: 110 mins

Restoration Details

Status: Released

Country Where Restored: Italy

Restoration Release Date: 17 March 2017

Country Restoration First Screened: 

Lab Image Restored By: L’immagine Ritrovata

Lab Audio Restored By: L’immagine Ritrovata

Archive Partner(s) in Restoration: Taiwan Film Institute & Cinémathèque Royale de Belgique

Restored Elements Held By: 

Restoration Funded By: Film Foundation’s World Cinema Project

Restoration Premiere: Bologna, 1 July 2016

Screening Rights Held By: Janus Films (US?)

Genre
Awards
Film Facts
Website
Related Articles
  • Past and Future Tug at an Unstable Present in a Restored Masterwork by Edward Yang
Related Films
Educational Materials
Info Source

Asian Film Archive; AWRA

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About

Since 2012, Restoration Asia has been a showcase for the work of archives, technical service providers and distributors in their efforts to preserve the audio-visual heritage of Asia.

Restoration Asia is coordinated by OWL Studio, and is designed for archivists, scholars, students and professionals as well as those with a shared passion for the preservation and restoration of Asian Cinema & Asia’s cinematographic history.

レストレーションアジアは、アジア内外のアーカイブ、技術サービスプロバイダー、そして配給業者の仕事を紹介すると共に、アジアの映像遺産を保存する取り組みに焦点を当てます。

この継続的な技術シンポジウムは、アーキビスト、学者、学生、そしてプロフェッショナルのためにデザインされました。アジア映画とアジアの映画史の保存と復元のための情熱を共有するシンポジウムです。

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